This particular vein of “pro-copyright” thought continuously baffles me. Copyright has not, was not intended to, and does not currently, pay artists.
Its totally valid to hate these AI companies. But its absolutely just industry propaganda to think that copyright was protecting your data on your behalf
Copyright has not, was not intended to, and does not currently, pay artists.
Wrong in all points.
Copyright has paid artists (though maybe not enough). Copyright was intended to do that (though maybe not that alone). Copyright does currently pay artists (maybe not in your country, I don’t know that).
Copyright originated create a monopoly to protect printers, not artists, to create a monopoly around a means of distribution.
How many artists do you know? You must know a few. How many of them have received any income through copyright. I dare you, to in good faith, try and identify even one individual you personally know, engaged in creative work, who makes any meaningful amount of money through copyright.
I know several artists living off of selling their copyrighted work, and no one in the history of the Internet has ever watched a 55 minute YouTube video someone linked to support their argument.
Copyright has not, was not intended to, and does not currently, pay artists.
You are correct, copyright is ownership, not income. I own the copyright for all my work (but not work for hire) and what I do with it is my discretion.
What is income, is the content I sell for the price acceptable to the buyer. Copyright (as originally conceived) is my protection so someone doesn’t take my work and use it to undermine my skillset. One of the reasons why penalties for copyright infringement don’t need actual damages and why Facebook (and other AI companies) are starting to sweat bullets and hire lawyers.
That said, as a creative who relied on artistic income and pays other creatives appropriately, modern copyright law is far, far overreaching and in need of major overhaul. Gatekeeping was never the intent of early copyright and can fuck right off; if I paid for it, they don’t get to say no.
This research paper from Rufus Pollock in 2009 suggests that the optimal timeframe for copyright is 15 years. I’ve been referencing this for, well, 16 years now, a year longer than the optimum copyright range. If I recall correctly I first saw this referenced by Mike Masnick of techdirt.
This particular vein of “pro-copyright” thought continuously baffles me. Copyright has not, was not intended to, and does not currently, pay artists.
Its totally valid to hate these AI companies. But its absolutely just industry propaganda to think that copyright was protecting your data on your behalf
Wrong in all points.
Copyright has paid artists (though maybe not enough). Copyright was intended to do that (though maybe not that alone). Copyright does currently pay artists (maybe not in your country, I don’t know that).
No, actually, I’m not at all. In-fact, I’m totally right:
https://www.youtube.com/watch?v=mhBpI13dxkI
Copyright originated create a monopoly to protect printers, not artists, to create a monopoly around a means of distribution.
How many artists do you know? You must know a few. How many of them have received any income through copyright. I dare you, to in good faith, try and identify even one individual you personally know, engaged in creative work, who makes any meaningful amount of money through copyright.
You forgot to link a legitimate source.
I know several artists living off of selling their copyrighted work, and no one in the history of the Internet has ever watched a 55 minute YouTube video someone linked to support their argument.
I know quite a few people who rely on royalties for a good chunk of their income. That includes musicians, visual artists and film workers.
Saying it doesn’t exist seems very ignorant.
You are correct, copyright is ownership, not income. I own the copyright for all my work (but not work for hire) and what I do with it is my discretion.
What is income, is the content I sell for the price acceptable to the buyer. Copyright (as originally conceived) is my protection so someone doesn’t take my work and use it to undermine my skillset. One of the reasons why penalties for copyright infringement don’t need actual damages and why Facebook (and other AI companies) are starting to sweat bullets and hire lawyers.
That said, as a creative who relied on artistic income and pays other creatives appropriately, modern copyright law is far, far overreaching and in need of major overhaul. Gatekeeping was never the intent of early copyright and can fuck right off; if I paid for it, they don’t get to say no.
https://rufuspollock.com/papers/optimal_copyright_term.pdf
This research paper from Rufus Pollock in 2009 suggests that the optimal timeframe for copyright is 15 years. I’ve been referencing this for, well, 16 years now, a year longer than the optimum copyright range. If I recall correctly I first saw this referenced by Mike Masnick of techdirt.